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EMMA RUTH RUNDLE

The music of Emma Ruth Rundle is nearly swallowed by darkness, but Rundle does not seem oppressed by it. Having toured with acts like Deafheaven and Earth, Rundle made her name performing mournful, minor key compositions, swelling with gothic drama. But to classify her music as macabre is to deny its cathartic, even uplifting qualities. OnMarked for Death, the follow-up to 2014's Some Heavy Ocean, Rundle upgrades that album's gothic folk with a more colorful palette. Here, she strengthens the atmospheric guitar work that comprised her instrumental solo debut, Electric Guitar One, and enlivens her songs with anthemic, weightless choruses. And while her two previous solo releases, as well as her work in the noisy LA trio Marriages, set a precedent for Marked for Death's more ambitious material, it doesn't make the record feel any less thrilling. Each of its eight tracks showcase a songwriter testing the limits of her sound and redefining herself in the process.

STELLA LUGOSI

With a unique voice, elaborate songwriting, and commitment to her own artistry, Stella Lugosi won’t pass you unnoticed. It’s impossible not to fall for her sensitive and orchestral gospel grunge. In the frail yet forceful debut single, ”Lovely Daughter”, a wretched mother is singing to her young daughter and her lover, carried by a sprawling harp and acoustic guitar.

Mental illness, coming-of-age and spirituality are essential subjects inStella Lugosi’s work. On the one hand influenced by classical music and old gospel, and on the other hand in love with the distortion and melodies of the early 1990’s, Stella Lugosi creates a blend of odd beauty and timelessness.